Spring

“Spring” was conceived as a manifesto of necrorealism and demonstrates the precision of Yufit's structural and editing techniques. The film combines intuition, an interest in the unconscious mind and shock tactics (traditions of the 1920s avant-garde) with social issues of Soviet Russia.

The Wooden Room

“The Wooden Room” studies the ecology of the human psyche influenced by contemporary civilisation. A director living in an isolated cabin in the forest with his wife is obsessed with recording marginal events in life. The closer to them he gets, the more he becomes involved.